ï»¿OrigamiAvion | Bateau En Papier Maché | Mon Bateau De Papier Jean Humenry
Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
By this I mean that we no more have a shut system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Kent du Pre Avion En Papier Planeur Pro has done such work on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have appeared occasionally, nevertheless the most extreme form occurs in Paper Magic with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course carefully related to paper slicing. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive thickness. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early
Uchiyama is reported as obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are filled with slitting to achieve hearing or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to provide enough points for the thighs. Rohm folded his Festival pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities
Fleur en papier
The trimming out of holes and so forth. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and evidently here we have an open-ended Art form. Supporting A Bateau En Papier Simple way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its most basic form we might use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or card. One of the most unusual form of 'display mechanics' that We am familiar with is by Toyoaki Kawai.
In a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modeling particularly if foil has been Avion En Papier Simple à Faire used and one can make certain of the material remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modelling following the folding The technique of wetting the paper seems to be Japanese in origin was demonstrated by Yoshizawa at a Convention in Birmingham. Another method of moist moulding using paste in the preparation is mentioned by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds up tend to be soft and we are approaching figurine rather than Origami.
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Within the most extreme mixtures of water and paper we are, naturally , in the world of fun which is obviously an open-ended art. DecoratingThe easiest step from the single color is one side colored and one white or plain. A great package of modern Origami exploits this colour difference. The delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after selecting the most appropriate pattern and cutting his material to get the colour exactly where he Origami Easy Instructions wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to a special model. The end of this process is evidently the decoration of the ultimate model and therefore into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then ribbon and finally string.
Bateau en papier
Typically the associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets Avion En Papier Planeur Video of paper are folded together but usually opened at the conclusion to show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer technique is exploited for their own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to represent some part of the pet and then brought together. The idea may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have came out for folding a monster from a number of potager of different sizes.