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Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
By this I mean that we no more have a shut system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.
Kent du Pre has done such focus on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have came out occasionally, but the most extreme form occur in Paper Wonder with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course carefully related to paper cutting. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Uchiyama is Fabriquer Un Bateau Pirate En Papier Maché reported as obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are packed with slitting to achieve ear or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the thighs. Rohm folded his Circus pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid
the complexities of a model achieved only by folding.
Within a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling This is now usual in animal folds to call for a final modelling particularly when foil has recently been used and one can make sure of the substance remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modeling following the folding The technique of wetting the paper appears to be Japanese in origin was demonstrated by Yoshizawa Origami Easy Step By Step at a Convention in Luton. Another method of moist moulding using paste in the preparation is talked about by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The folds tend to be gentle and that we are approaching statue rather than Origami.
Bateau en papier
Typically the associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the conclusion to show the Origami Crane Necklace multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer technique is exploited for its own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of document each folded to symbolize some part of the creature and then brought together. The concept may well be traditional; if not in the manner Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have came out for folding a monster from a amount of pieces of different sizes.
Comment faire un avion en papier
Within the most extreme mixtures Comment Faire Un Avion En Papier Qui Vole Bien Longtemps of water and papers we are, of course , in the world of papier-mache which is plainly an open-ended art. DecoratingThe simplest step from a single colour is one side colored and one white or plain. A great deal of modern Origami intrusions this colour difference. A new delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of Avion En Papier Planeur Facile A Faire decoration occurs in Japanese papers which are already printed with a design ideal for a unique model. The end of this process is evidently the decoration of the last model and so into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bow and finally string.
Fleur en papier
The slicing out of holes etc. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and evidently here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its most basic form organic beef use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or card. The most unusual form of 'display mechanics' that We am acquainted with is by Toyoaki Kawai.